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Aktualnosci Bolesławieckie środowisko artystyczne

Bolesławiec artistic community – Magdalena Gazur

It is people who are an inexhaustible source of my inspiration. I look at them, listen to them, ask them questions, and the emotions they convey to me in this way I try to reflect in my ceramic patterns. I don't look back, I look for freshness, uniqueness. And this is what I find in hand-made ceramics. For it is a surprising, unpredictable and unruly matter.
Magdalena Gazur

This post from the series “Boleslawiec artistic community” was prepared within the framework of the project “Boleslawiec – 30 years of local government” implemented by the Museum of Ceramics and the Boleslawiec Cultural Center – International Ceramics Center

Magdalena Gazur is a graduate of the Faculty of Ceramics and Glass at the Eugeniusz Geppert Academy of Fine Arts in Wrocław – she obtained her diploma in 2006 in the 1st Applied Ceramics Design Studio led by Professor Lidia Kupczyńska-Jankowiak. Between 2005 and 2006, she also studied at the University of Wolverhampton (UK) at the Faculty of Ceramics (2006) and at the Faculty of Graphic Communication (2005-2006). In 2010, she completed the postgraduate course “Design Design in New Product Development Management” carried out by the Institute of Industrial Design in cooperation with the Warsaw School of Economics. Since 2013, she has been working at Fabryka Naczyń Kamionkowych “Manufaktura” in Bolesławiec as a chief designer and member of the team responsible for building the plant’s brand.

Although after her studies she became an assistant in the ceramics design studio at the Academy of Fine Arts in Wrocław, she did not intend to devote herself to designing industrial forms. She first came to Bolesławiec in 2009 as a participant in the 45th International Ceramic and Sculpture Plein-Air. In 2010-2011, she served as the commissioner of this plein-air. During the plein-air workshops, she was often a guest at the ” Manufaktura”, thanks to which the owners of the plant noticed her talent and offered her cooperation. Soon, still as an external designer, she created the first breakfast set, which was very well received. As a result, she was offered permanent employment. Since then, she has already designed several unique collections combining the search for new product developments with the tradition of Bolesławiec ceramics. She is most sentimental about the first of these, entitled “The 1960s”, as she makes no secret of the fact that she is greatly influenced by the Polish industrial design of the 1960s and 1970s.

Magdalena Gazur is also the initiator and co-author of the “Polish Table” project, as part of which three Lower Silesian producers: Bolesławiec Manufaktura, Porcelana Krzysztof from Wałbrzych and Huta Szkła Kryształowego Julia from Piechowice, have jointly created three sets of dishes combining stoneware, porcelain and glass. The breakfast set No. 1, which is part of this collection, was awarded the “must have” mark at the Łódź Design Festival in 2016.

She considers looking at human behaviour at the table and translating it into forms and shapes in the design process to be very important and the most difficult part of her work. It is only then that she sees how much she still has to learn. And although he is aware that the efforts of a designer are often invisible to the ordinary user, he is not discouraged by this, because his work is guided by the motto: “the best design is the one you can’t see”.

Magdalena Gazur also works as a lecturer in the Department of Interdisciplinary Activities in Ceramics and Glass at the Academy of Fine Arts in Wrocław. At the same time, she is involved in computer graphics and exhibition activities. She has curated many exhibitions on contemporary industrial design. Collections of vessels designed by her can be found in the collections of the National Museum in Kraków and the National Museum in Wrocław.

MAJOR ACHIEVEMENTS

2005 Group exhibition “New Designers”, London (UK)

2007 Distinction in a competition for a gadget promoting Wrocław

New Faces – New Work” group exhibition, The Gallery at Bevere, Worcester (UK)

2007/2008 Exhibition Wolverhampton Society of Artists, Art Gallery, Wolverhampton (UK)

2008 Distinction in ” Identification of Place” sculpture competition

Distinction in the competition for the development of the space of the Xawery Dunikowski Boulevard in Wrocław

2009 Group exhibition “Wrocław Design”, Łódź – Braunschweig (Germany)

Collective exhibition “Design- Antidesign”, Museum of Architecture, Wrocław

IV Bienal Internacional de Cerámica “Ciudad de Talavera”, Talavera de la Reina (Spain)

Collective exhibition “non objective”, Łódź Design Festival

Post-exhibition of the 45th International Ceramic and Sculpture Plein-airs, Bolesławiec Cultural Centre, Bolesławiec

2010 International Ceramic Exhibition “European Ceramic Context”, Bornholm

Post-exhibition of the 45th International Ceramic and Sculpture Plein-air, Arsenal Gallery, Wrocław, Poland

2011 Scholarship of the Minister of Culture and National Heritage for the project “Urban Jewellery”.

Prize of the Rosenthal company for a set of plates ” Stamp” at the Arena Design fair in Poznań

Award in the competition for the best packaging of the year “Pearl among packages” in the category Free Style, at the Art of Packaging fair in Poznań

2013 “must have” distinction for the “Modern” collection designed for the Stoneware Factory “Manufaktura” in Bolesławiec, Łódź Design Festival

2015 “must have” distinction for a breakfast set designed as part of the “Polish Table” collection, Łódź Design Festival

2018 Exhibition “New design in Bolesławiec ceramics”. – presentation of the “Flower Line – Roses” collection, Bolesławiec Cultural Centre – International Ceramics Centre, Bolesławiec

Exhibition “Polish Culture Trip 2018” – presentation of the “Flower Line – Roses” and “1960s” collections, Gdańsk , Poznań, Szczecin

“Night with Design” – presentation of the collection “Flower Line – Roses”, Interior Gallery “Domar”, Wrocław

Exhibition ” Circle/Dot/Dash” – curator of the exhibition, presentation of the collection “Flower Line – Roses”, Łódź Design Festival

2019 Distinction for the collection “Flower Line – Roses” at the International Trade Fair “Trends Solutions” in Frankfurt

Curator of the exhibition “Tribalism”, “Night with Design”, “Domar” Interior Gallery, Wrocław

Curator of the exhibition/project “On the Table”, Łódź Design Festival

Categories
Aktualnosci Bolesławieckie środowisko artystyczne

Bolesławiec artistic community – Magdalena Olga Konieczna

My paintings begin in nature, then I already play with colour, subjecting shapes to delicate syntheses. I pass light through the lead drawing, creating "divisions". I experience matter, saturate a stained-glass window with a glow seeping from somewhere in the depths of the painting or ignite the composition with a colourful blaze. I put this painterly adventure into the framework imposed by medieval craftsmanship.
Magdalena Konieczna

This post from the series “Boleslawiec artistic community” was prepared within the framework of the project “Boleslawiec – 30 years of local government” implemented by the Museum of Ceramics and the Boleslawiec Cultural Center – International Ceramics Center

Magdalena Konieczna was born, lives and works in Bolesławiec. She is a graduate of the Higher School of Pedagogy in Częstochowa, where she obtained a diploma in graphic design under the direction of Professor Ewa Zawadzka in 1999. In 2010, she supplemented her education with a specialisation in stained glass in the studio of Ryszard Więckowski at the Academy of Fine Arts in Wrocław. Her work with stained glass inspired her to search for new directions of artistic expression related to the fusing technique, which involves melting sheets or pieces of glass. Her creative interests also include easel painting, batiks, design and photography. An important place in her oeuvre is occupied by exlibris. The artist likes to experiment with different materials, combining various artistic techniques.

Since 2000, Magdalena Konieczna has also been heavily involved in the artistic education of children and young people. At the St. Wyspiański Youth Cultural Centre in Bolesławiec she runs studios for printmaking and multidirectional art, while at the International Ceramics Centre in Bolesławiec she runs a glass and stained glass workshop. Her pupils regularly win prizes and distinctions in nationwide competitions.

We invite you to watch a film snapshot of Magdalena Konieczna’s stained glass exhibition ” Divisions of Light”, which took place in 2014 at the Copper Museum in Legnica.

INDIVIDUAL EXHIBITIONS

2000 “Fishki by Konieczna”, Format Gallery MBP, Bolesławiec

2006 „Magdalena Konieczna and her pupils”, Format Gallery MBP, Bolesławiec

2011 „Divisions of Light”, BOK-MCC Gallery, Bolesławiec

2013 „Exlibris”, exhibition at the Second Secondary School, Bolesławiec

„Batik”, BOK-MCC Gallery, Bolesławiec

2014 „Divisions of light – stained glass”, Copper Museum, Legnica

2016 „Exlibris”, Piast Castle, Legnica

COLLECTIVE EXHIBITIONS

1992 „Gallery of the Young” , Pegasus Club, Bolesławiec, Poland

1996 „Pracownia Grafiki”, MDK Gallery, Radomsko

„Press CDN Graphics”, Czestochowa

1998 MDK Gallery, Zgorzelec

„Graphics”, Gallery “Untitled”, Czestochowa

„Graphics”, Upper Silesian Centre of Culture, Katowice

1999 „Exhibition of the Graphic Arts Studio”, BWA, Czestochowa

„Exlibris”, Exlibris Gallery, Podgórze House of Culture, Krakow

„XIII National Youth Photography Review”, BOK Gallery, Bolesławiec

„III International Competition for Exlibris”, Gliwice

2000 “Exlibris per al. Segle XXI”, Barcelona (Spain)

“Zu neuen Ufern”, Kunstpreis des Kulturforums Dreilandereck e.V., Zinzendorf (Germany)

„IV Krakow Biennale of Polish Exlibris”, Krakow

2001 „Koszelówka 2001 Post-exhibition”, Rawa Mazowiecka

2003 „5th International Exlibris Competition”, Gliwice

„Exlibris Competition Exhibition”, Ankara (Turkey)

2004 „Beyond This”, Museum of Ceramics, Bolesławiec

„IV International Review of Woodcut and Linocut Exlibris by Paweł Steller”, Katowice, Poland

2005 „21st National Exhibition of Art Teachers’ Works”, BWA, Rzeszów

„VI International Competition for Exlibris, Gliwice, Poland

„Looking for a place”, exhibition of the artistic group “Informal”, Municipal Public Library, Bolesławiec

2006 „Bolesławiec, a city without borders…”, BOK Gallery, Bolesławiec

2007 „International Competition for Exlibris dedicated to Wincent Pol”, Gdansk

„23rd National Exhibition of the Works of Art Educators”, BWA, Rzeszów

„Great Poles in Exlibrises”, Pauline Monastery on the Rock, Kraków

„Aviation motifs in exlibrises”, Museum of Polish Aviation, Cracow

2008 „She and He”, Concordia Gallery, Bolesławiec

„Exlibris Contess Library of Bodio Lomnago”, Bodio Lomnago (Italy)

„Xylon Argentina Seccion de Xylon International Sociedad de Grabadores”, Buenos Aires (Argentina)

2009 „VI International Review of Woodcut and Linocut Exlibris named after Paweł Steller”, Katowice (Poland)

„Artists of the Bolesławiec Area”, Museum of Ceramics, Bolesławiec

„50 anni di attivita di Arti Grafiche Colombo”, Gessate Milano (Italy)

„XXV National Exhibition of the Works of Art Educators”, BWA, Rzeszów

The First International Biennale Exhibition of Small Graphic Forms and Ex-libris “The Belovezhskaya Pushcha”, Brest (Belarus)

„Exlibris associacion of Vojvodina”, Novi Sad (Serbia)

„First International Contest Exlibris”, Somma Lombardo (Italy)

„5th International Competition Exlibris Biblioteca”, Bodio Lomnago (Italy)

„VII Exlibris International Bienal “The forest of utopy”, Mexico (Mexico)

2011 „1st Annual Photo Exhibition SF Camera”, Gallery “Długa: BOK-MCC, Bolesławiec

“Artists for Bolesławiec”, BOK-MCC Gallery, Bolesławiec

“Boundless fascination with art”, BOK-MCC Gallery, Bolesławiec; Gallery in Kamenz (Germany)

2012 „2nd Annual Photo Exhibition of the Camera and Objective Associations”, Gallery Długa BOK-MCC, Bolesławiec

„23 Masters of Polish Exlibris and Small Graphic Form”, Consulate General of the Republic of Poland in Brest, Belarus

2013 „3rd Annual Photo Exhibition SF Camera”, BOK-MCC Gallery, Bolesławiec

2014 „60th Anniversary of MDK”, Museum of Ceramics, Bolesławiec

2015 „5th SF Camera photographic exhibition”, Museum of Ceramics, Bolesławiec

2017 „6th and 7th SF Camera photographic exhibition”, Museum of Ceramics, Bolesławiec

2018 „8th Annual SF Camera Photo Exhibition”, Museum of Ceramics, Bolesławiec

2019 „9th Annual SF Camera photographic exhibition”, Museum of Ceramics, Bolesławiec

„Photographic Exhibition SF Camera”, Gallery “Klatka”, Lwówek Śląski

2020 „10th Annual SF Camera Photography Exhibition”, Museum of Ceramics, Bolesławiec

“Artists of the Bolesławiec Area”, Museum of Ceramics, Bolesławiec

Categories
Aktualnosci Bolesławieckie środowisko artystyczne

Bolesławiec artistic community – Mariusz Ochocki

Regardless of the inspiration in the creative process, I am constantly looking for the perfect design, drawing from both tradition and modernity. I believe that dinnerware must not only be beautiful, but also functional.
Mariusz Ochocki
Interview with the artist, "Ambiente" 2017, no. 1

This post from the series “Boleslawiec artistic community” was prepared within the framework of the project “Boleslawiec – 30 years of local government” implemented by the Museum of Ceramics and the Boleslawiec Cultural Center – International Ceramics Center

Mariusz Ochocki was born in 1962 in Bolesławiec. He is a graduate of the State Higher School of Visual Arts (now the Eugeniusz Geppert Academy of Fine Arts) in Wrocław, where he studied in the sculpture studio under Prof. Feliks Kociankowski and in the ceramic technique and technology studio under Prof. Stanisław Szyba.

He is involved in ceramic design, sculpture and printmaking. In 1991 he started working at the Cooperative of Artistic Crafts “Ceramika Artystyczna” in Bolesławiec as a mould designer. Since 2012, he has held the position of chief designer and artistic director at this company. His forms are mainly based on simple geometric shapes, such as a sphere or a cuboid. In his most recent designs, the dominant shape is the truncated cone.

The introduction of solids with truncated sides in place of oval ones has created a new space for the application of simple geometric motifs that wrap around the surface of the vessels. His new collections, particularly the sushi set, have been received with great interest, becoming one of the most frequently purchased sets in the Asian, American and European markets.

GROUP EXHIBITIONS

1998 „Contemporary stoneware of Bolesławiec 1948-1998″, Museum of Ceramics, Bolesławiec

2000  “Bolesławiec Graduates of the State Higher School of Visual Arts in Wrocław”, Museum of Ceramics, Bolesławiec

2000-2020 “Ambiente” International Trade Fair, Frankfurt near Main river (Germany)

2002 “Designers of Artistic Ceramics”, Museum of Ceramics, Bolesławiec

2003 „Contemporary Design of the Handicraft Cooperative “Ceramika Artystyczna” in Bolesławiec”, Museum of Ceramics in Bolesławiec, Bolesławiec

2009 „Artists of the Bolesławiec Area”. – presentation of works of contemporary visual artists connected with the Bolesławiec region, Museum of Ceramics, Bolesławiec

2012  Presentation of ceramic products by the Handicraft Cooperative “Ceramika Artystyczna”, Tokyo (Japan)

2013 „Art from fire. Stoneware vessels of the Handicraft Artistic Cooperative ” Ceramika Artystyczna” in Bolesławiec”, Central Museum of Ceramics in Bolesławiec, Łódź

2013-2019 „New design in Bolesławiec ceramics”, Bolesławiec Cultural Centre – International Ceramics Centre, Bolesławiec

2015 „Stoneware from the Artistic Handicraft Cooperative “Ceramika Artystyczna”” in Bolesławiec”, Krystof Kluk Museum of Agriculture, Ciechanowiec

2016 „Nature motifs on Bolesławiec ceramics”, Kepler Science Centre – Nature Centre in Zielona Góra

“Art from fire. Stoneware vessels of the Handicraft Cooperative “Ceramika Artystyczna” in Bolesławiec”, Museum of Ceramics in Bolesławiec, Sierpc.

“Z bolesławieckiej gliny” – exhibition of the Association of Ceramic Communities of the Republic of Poland, Museum of Ceramics, Bolesławiec

“From the clay of Bolesławiec”, Museum of Travel – Palazzo della Guardia, Vietri sul Mare (Italy)

2017 “Z bolesławieckiej gliny”, Gallery Mi.MO, Banco Monte dei Paschi di Sienna, Town Hall, Faenza (Italy)

“From the clay of Bolesławiec”, Polish Institute, Rome (Italy)

“Good Design 2017”, Institute of Industrial Design, Warsaw (Poland).

2018 “Dobry Wzór 2018”, Institute of Industrial Design, Warsaw

Presentation of ceramic products of the Handicraft Cooperative “Ceramika Artystyczna”, Tokyo, Nagoya, Matsumoto (Japan)

“Pole – Artist – Ceramist”, Gallery of the Tourist Information Point, Bolesławiec

2020 “Artists of the Bolesławiec Area”, Museum of Ceramics, Bolesławiec

AWARDS AND DISTINCTIONS

2018 “Design of the Year for Culture” – special award from the Minister of Culture and National Heritage for the special design qualities of the coffee set in the “geometric solids” decoration

“Good Design 2018” – award from the Institute of Industrial Design in Warsaw for the special design qualities of a collection of fish-shaped bowls and platters in the “cobalt clouds” decoration

2020 Award of the Mayor of Bolesławiec for the promotion of the city in 2019 in the field of culture

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Aktualnosci Bolesławieckie środowisko artystyczne

Bolesławiec artistic community – Marta Kisiliczyk

In order to immortalise an object or a landscape on canvas, I must first be delighted by it, even fall in love with it.
Marta Kisiliczyk

This post from the series “Boleslawiec artistic community” was prepared within the framework of the project “Boleslawiec – 30 years of local government” implemented by the Museum of Ceramics and the Boleslawiec Cultural Center – International Ceramics Center

Marta Kisiliczyk was born in Wrocław, but grew up in Bolesławiec. She is a graduate of the Academy of Fine Arts in Kraków, where she obtained a diploma in painting and artistic textiles.

She lived in London for over 10 years, where she travelled to reach an international audience with her work and to establish herself in one of the most important art markets in the world. She has spent the last few years travelling to different corners of the world, discovering new landscapes and tuning her senses to perceive all the richness of the natural world, which has long since become the main theme of her work. She currently divides her time between Europe and Southeast Asia, which has become a second home for her for some time.

The characteristic texture of her paintings is certainly an important element of her work, but the artist herself claims that it is the colours and dynamics that make her paintings original. Marta Kisiliczyk paints through her emotions with the aim of creating a specific understanding, a relationship between her work and its audience.

For years, her paintings have been exhibited at London’s most popular art fair, the London Affordable Art Fair, as well as at such prestigious exhibitions as the London Art Fair and the London Art Biennale. They can be found in art galleries in the UK, Italy and other European countries. They are part of many international art collections in the UK, the Netherlands, Italy, Austria, Poland and South Africa.

In 2018. Marta Kisiliczyk received an invitation to participate in the prestigious Chianciano Art Biennale in Tuscany, where she won first prize, awarded by the International Association of Art Critics. In 2019, she was honoured in Rome with the International Prize Michelangelo ” for her revealed artistic talent, a testimony of immense creativity”. The artist’s work can be viewed on her website and Facebook profile.

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Aktualnosci Bolesławieckie środowisko artystyczne

Bolesławiec artistic community – Marta Małoszyc

The viewer waits for visual and emotional aesthetic values. The artist can only anticipate his or her reaction to a certain extent if he or she acts with a specific intention, be it to shock, intrigue or soothe and reassure. Having the gift of creation, the artist should use it skilfully.
Marta Małoszyc
"The most important thing is to be moved...", interview with the artist, Katarzyna Żak, "Bolesławiec Yearbook 2013"

This post from the series “Boleslawiec artistic community” was prepared within the framework of the project “Boleslawiec – 30 years of local government” implemented by the Museum of Ceramics and the Boleslawiec Cultural Center – International Ceramics Center

Marta Małoszyc was born in Krzepice near Częstochowa. Between 1993 and 1998 she attended the Jacek Malczewski State Secondary School of Fine Arts in Częstochowa, where she learned the basics of ceramics, painting, drawing and composition. From the very beginning, she wanted her works to be spatial, not limited to the plane of paper or canvas, which is why ceramics became her favourite material. In 2003, she graduated from the Faculty of Ceramics and Glass at the Eugeniusz Geppert Academy of Fine Arts in Wrocław, where she studied in the Unique Ceramics Studio of Prof. Irena Lipska-Zworska and Prof. Lidia Kupczyńska-Jankowiak.

In 2004, she started working at Zakłady Ceramiczne “Bolesławiec” as a mould and decoration designer. From 2008 to 2017, she held the position of promotion specialist at this company. In 2018, she returned to design. At that time, she created a series of vessels called ” Boats”, alluding in shape to the characteristic slender boats used in the Far East. When designing the vessels, the artist pays attention to the coexistence of utilitarian, visual and ergonomic functions, so that the vessel fits perfectly in the hands and provides the user with a sense of comfort. At the same time, she takes care of the aesthetics and shape of the vessel, which should harmonise with the place or space.

In addition to her professional work, she is involved in unique ceramics, painting and drawing. In 2005- 2007, 2017 and 2020, she was among the participants of the International Sculpture and Ceramics Plein- Air in Bolesławiec.

COLLECTIVE EXHIBITIONS AND FAIR PRESENTATIONS

2001 ‘Plastic Hopes of Częstochowa’, City Art Gallery, Częstochowa

2002 Exhibition of drawings from the atelier of Prof. Leszek Mickoś, Wrocław

2003 Diploma exhibition, Gallery of Glass and Ceramics, Wrocław

2004 Exhibition of finalists of “PRO DECO 2004” competition, Warsaw

2005 “Torebka”, “Dizajn” Gallery, Czestochowa

“Before the Fumes Fall. Ceramics of the Young 2005” – exhibition of the unique ceramics studio of the Academy of Fine Arts in Wrocław, Wrocław, Lubin, Bolesławiec

2005-2007, 2017 Post-exhibitions of the International Ceramic and Sculpture Plein-air in Bolesławiec, Bolesławiec

2007 “Different Faces of Ceramics”, Museum of Industry, Warsaw

“Contemporary Design of the Ceramic Works “Bolesławiec”” Sp. z o.o , Museum of Ceramics, Bolesławiec

2011 “After the Hundred”, 100th Anniversary Exhibition of the Association of Polish Artists

2018 “Pole – Artist – Ceramist”, Triennale Bolesławiec, Museum of Ceramics, Bolesławiec

2019 Presentation of utilitarian vessels, Ambiente 2019 trade fair, Frankfurt n. Main (Germany)

2019 ” New design in Bolesławiec ceramics”, BOK-MCC, Bolesławiec

2020 ” Artists of the Bolesławiec area”, Museum of Ceramics, Bolesławiec

AWARDS AND DISTINCTIONS

2007 Award of the President of Zakłady Ceramiczne “Bolesławiec” for the “Set for Two”.

OTHER

2006 Happening “Tea Tower” as part of the Bolesławiec Ceramics Festival

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Aktualnosci Bolesławieckie środowisko artystyczne

Bolesławiec artistic community – Martyna Woźnica-Chrostek

Martyna Woźnica-Chrostek was born in Bolesławiec. She took her first steps in art under the guidance of Czesław Matyjewicz and Magdalena Konieczna. She continued her artistic education at the Eugeniusz Geppert Academy of Fine Arts in Wrocław, majoring in sculpture in the atelier of Professor Grażyna Jaskierska-Albrzykowska. Currently lives and works in Düsseldorf.

In her work, she focuses mainly on interpersonal relations and what results from them, and their influence on the perception and shaping of space. She tries to use a variety of materials and modes of action. She creates installations and sculptural objects, designs elements of small architecture, and organises happenings and performances.

You can find out more about the artist’s work on her website.

This post from the series “Boleslawiec artistic community” was prepared within the framework of the project “Boleslawiec – 30 years of local government” implemented by the Museum of Ceramics and the Boleslawiec Cultural Center – International Ceramics Center

SELECTED EXHIBITIONS AND PROJECTS

2012 “Beware of these places”, group exhibition, MDS Gallery, Wroclaw, Poland

2013 “Spatial relations. Human Relations”, diploma exhibition, BWA Awangarda Gallery, Wroclaw, Poland

Final exhibition of the 11th edition of the “Hestia’s Artistic Journey” competition, Ergo Arena, Sopot, Poland

2014 2014 Installation “Urban greenery”, 12th Survival Art Review “City – inflammatory state”, Wrocław

Performance “Flags of Art”, Festival Underwater Wrocław on the Waves of the Oder, Wrocław

2015 “Is it art?”, solo exhibition, BOK-MCC, Bolesławiec

Performance “Dehumanisation”, 13th Survival Art Review “Prohibited Acts”, Wrocław

2020 “Artists of the Bolesławiec Area”, Museum of Ceramics, Bolesławiec

Categories
Aktualnosci Bolesławieckie środowisko artystyczne

Bolesławiec artistic community – Mateusz Grobelny

... I continue with the technology of wood firing, but in very modern constructions, because the kiln construction itself becomes a sculpture. The process itself, the process of building the whole thing and then firing it, is sometimes more important than the end result.
Mateusz Grobelny
"On the tapis", Lusatia Television 2019

This post from the series “Boleslawiec artistic community” was prepared within the framework of the project “Boleslawiec – 30 years of local government” implemented by the Museum of Ceramics and the Boleslawiec Cultural Center – International Ceramics Center

Mateusz Grobelny was born in 1980. In 2008, he graduated from the Faculty of Ceramics and Glass at the Eugeniusz Geppert Academy of Fine Arts in Wrocław, where he studied ceramic design under Professors Przemysław Lasak and Jan Drzewiecki. He is a ceramic artist, sculptor and specialises in creating unique ceramics fixed in wood-fired kilns. His studies have had a significant impact on his artistic sensibility, but in his everyday work he also finds use for two professions he acquired earlier: construction technician and clothing technician with a specialisation in designer-stylist.

Visitors to the Bolesławiec Ceramics Festival are particularly familiar with the spectacular, monumental outdoor kilns built on the square next to the Market Square, which take on a different form every year. The process of their creation brings to mind the design of both architecture and clothing, and requires great technical skill. It all starts with a sketch on paper, which takes a group of volunteers up to several weeks to bring to life. The first step is to build a hearth, over which a structure of welded steel rods is then erected. The skeleton is covered with silicon mats that allow light to pass through, providing an unusual visual experience during firing. Slightly different, but just as interesting, is the use of layered glass tiles in the walls of the kiln, which melt when heated. Some of the kilns are constructed in such a way that they can be opened during firing, turning the whole project into a kind of theatre, a fascinating performance that strongly captures the imagination of the audience. The ceramics fired in such kilns are always unpredictable and unique, as, irrespective of the authors’ knowledge and experience, chance plays a significant role in their creation.

On a daily basis, Mateusz Grobelny creates original, custom-made utility and decorative ceramics, including those turned on the potter’s wheel. He is also the author of three ceramic benches set up in the Bolesławiec Market Square. In his work he is inspired by femininity, nature and sometimes technological challenges. The joy of creation often turns into a struggle against the resistance of the matter. However, everything is rewarded by the awareness of creating a new reality, building something out of nothing.

The artist has won numerous prizes and solo exhibitions. Between 2010 and 2020, he ran his own ceramic-sculpture workshop at the Bolesławiec Cultural Centre – International Ceramics Centre. In 2013- 2019 he served as commissioner of the International Ceramic and Sculpture Plein-Air in Bolesławiec.

We invite you to watch footage of Mateusz Grobelny’s work:

An interview with the artist conducted on 29 July 2019 by Łużyce Television

Relation from the construction and firing of the “Arcade of Fire” kiln

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Aktualnosci Bolesławieckie środowisko artystyczne

Bolesławiec artistic community – Mieczysław Kozłowski (1949-2015)

[Beauty] is something ambiguous, escaping definition. It is changeable and dependent on fashion and mood. But for me, beauty is timeless and subconscious (...)." - Mieczysław Kozłowski,
Mieczysław Kozłowski
Delight in nature - a conversation with Mieczysław Kozłowski, Katarzyna Żak, "RocznikBolesławiecki 2009

This post from the series “Boleslawiec artistic community” was prepared within the framework of the project “Boleslawiec – 30 years of local government” implemented by the Museum of Ceramics and the Boleslawiec Cultural Center – International Ceramics Center

Mieczysław Kozłowski was born in Poznań. He began his artistic education at the State Secondary School of Fine Arts in Poznań. In the years 1968-1973, he studied at the State Higher School of Visual Arts (currently the E. Geppert Academy of Fine Arts) in Wrocław, where he obtained a diploma in easel painting in the atelier of docent Alfons Mazurkiewicz and architectural painting in the atelier of Professor Mieczysław Zdanowicz. From 1974 to 1981 he worked as an art and photography instructor at the Bolesławiec Cultural Centre. From 1975 to 1981, he held the position of district visual artist. From 1981 to 1989 he was employed as a decoration designer at the “Bolesławiec” Ceramic Works.

He was a multi-talented artist. He was involved in painting, artistic and applied graphics, including computer graphics, as well as photography and ceramics. He created both large-scale oil paintings and pastels and small-scale watercolours, as well as tiles and other ceramic products. His favourite subject was landscape, in which he expressed his admiration for nature. He emphasised composition with rich colours. He used luminous colours, giving the impression of the painting’s surface rippling, and he was excellent at chiaroscuro.

In addition to this, he designed decorations and scenographies, as well as the visual setting for municipal celebrations. His oeuvre includes designs for the logo of the “Wiza” Artistic Ceramics Company, the trademark for artistic decorations for the “Bolesławiec” Ceramic Works, the logo of the Bolesławiec Refractory Works, the “Primus Inter Pares” medal for the now-defunct No. 8 Primary School in Bolesławiec, and the “Distinguished Service to the Bolesławiec Area” medal. Between 1979 and 1980, he realised six architectural mural paintings placed on the walls of buildings in the centre of Bolesławiec. He is also the author of the image of the national emblem and the city coat of arms located in the Council Chamber of the Bolesławiec Town Hall.

Mieczysław Kozłowski’s paintings and graphic works can be found in private collections in Poland, Germany, Austria, Belgium and the United States.

INDIVIDUAL EXHIBITIONS

1977 “Inner Worlds”, painting and drawing exhibition, Bolesławiec Cultural Centre, Bolesławiec.

1979 Painting exhibition, Bolesławiec Cultural Centre, Bolesławiec. Exhibition of Painting, Museum of Ceramics, Bolesławiec Wystawa malarstwa, Muzeum Ceramiki, Bolesławiec

1994 Exhibition of Painting, Museum of Ceramics, Bolesławiec

1995 Exhibition of Painting, “Format” Gallery/City Public Library, Bolesławiec

1996 Exhibition of paintings and ceramics, Gallery “Promotions” ODK, Jelenia Góra

1999 Exhibition of paintings, “Promotions” Gallery ODK, Jelenia Góra

2004 “Spacery” Painting Exhibition, Gallery “Format” / Municipal Public Library, Bolesławiec

2011 Exhibition of Painting, “Promocje” Gallery ODK, Jelenia Góra, “Pasja Tworzenia” exhibition of paintings, Museum of Ceramics, Bolesławiec

2016 „Z zachwytu nad światem. Twórczość Mieczysława Kozłowskiego”, Museum of Ceramics, Bolesławiec

GROUP EXHIBITIONS

1971 Exhibition on the occasion of the 25th anniversary of the State Higher School of Visual Arts, National Museum, Wrocław

1973 Plein-air Symposium of Creative Communities, Augustów

1975 “Creative Presentations”, Museum of Architecture, Wrocław

1977 “Presentations of Jelenia Gora”, BWA, Jelenia Góra

1978 Exhibition of the Jelenia Gora group of “young”, BWA, Jelenia Góra

1982 “Ceramics of the Boleslawiec Ceramic Works”, 2nd exhibition of the “Jeleniogórskie Wzornictwo Przemysłowe” series, BWA, Jelenia Gora

1983-1988 “Polish Industrial Design”, Centre for Polish Information and Culture in Prague, Bratislava, Budapest, Berlin

1985 “40th Anniversary of Wrocław”, Museum of Architecture, Wrocław

1987 “Design of Swarzędz Furniture Factories”, exhibition combined with a presentation of products of the Ceramic Plants “Bolesławiec”, Institute of Industrial Design, Warsaw

1993 “Ceramicy Bolesławieccy”, Museum of Ceramics, Bolesławiec

“Jelenia Góra Presentations”, BWA, Jelenia Góra

1995 Post-exhibition of the National Ceramic and Sculpture Plein-air, Bolesławiec, Jelenia Góra

2020 “Artists of the Bolesławiec Area”, Museum of Ceramics, Bolesławiec

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